<i> i o l a </i> (Redactor: Murph the Surf)
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<i> i o l a </i> (Redactor: Murph the Surf)
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[inside] Murph's stuff
THING RETROSPECTIVE
MULTIPLES ON DEMAND Print out some art from your Web browser. LETTER FROM SALZBURG Report on the Virtual Museums on the Internet symposium, Salzburg, Austria, May 1998. IMAGE ARCHIVE Past work recombinant. INFORMATION SYSTEMS FOR THE VISUAL ARTS Class for graduate students in the Visual Arts Administration program, Department of Art and Art Administration, School of Education, New York University. OSIRIS Best viewed while listening to "Kashmir" by Led Zeppelin on a cheap radio. Recently donated by the artist to the DIA Center in New York: 
INTELLIGENT AGENT Articles by Robbin Murphy THE MAT Wrestling God. PROJECT TUMBLEWEED What this site is a part of. An investigation into creating multi-dimensional space that could evolve into a manifestation of a possible museum. HYPOMNEMATA "Precisely this type of notebook was coming into vogue in Plato's time for personal and administrative use. This new technology was as disrupting as the introduction of the computer into private life today." Michel Foucault PURPLE LION THEATER "Taylor's Cat House" is now playing with your browser. land A forum about land as a connective surface. EARLIER VERSIONS OF <i>iola</i>: (some of the links may no longer work) <i> i o l a </i> v.1 <i> i o l a </i> v.2 |
[foreground]
Randall Anderson
rhizome
M.River & T.Whid
Young-hae Chang
jodi.org
Various Participants
Jeff Gates
Pete Everett & Rosie Pedley
Story of Net Art (Open Source) Natalie Bookchin
Gebhard Sengmüller
Robert Ducon
Ricardo Iglasias
Bernhard Loibner and Tom Sherman
Vuk Cosic
Cary Peppermint
Mark Napier
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[outside] Stuff Murph reads From Foreign Policy Magazine
"The Culture of Liberty" Does globalization destroy local cultures?
From Prospect Magazine
"Berger in Berlin" John Berger discusses the language of drawing, Berlin, the body in art and the sense of place.
From Feed
"The Butterfly Effect" Four information-design experts discuss why usability matters.
From In These Times
"Give It Away" Marcel Mauss and the gift economy in France.
From The Chronicle of Higher Education
"In Filming History: Question, Disbelieve, Defy" Film director on history and conspiracy.
From The American Prospect
"Neuro-Narrative" The literary shift from Freud to neuroscience.
From Telecommunications Policy
"Databse Nation" Review of a book by Simson Garfinkle on the death of privacy in the 21st Century.
From Threepenny Review
"Where is Desolation Row?" James Ensor meets Bob Dylan on Desolation Row.
From The Boston Phoenix
"Assault of the Earth" Interview with Pico Iyer on the personal consequenses of globalization.
From artbreak.net
"Interview with agent.NASDAQ" One soldier's view of the etoy.TOYWAR
From FEED
"Immaterial World" Jorn Barger's Robot Wisdom Weblog
From Metropolis
"Kiss the Sky" Is the new Experience Music Project in Seattle a real museum?
From The American Prospect
"Should Public Policy Support Open-Source Software?" A roundtable discussion in response to the technology issue of The American Prospect.
From The American Prospect
"Innovation, Regulation and the Internet" How open access has been regulated into the Internet.
From London Review of Books
"Someone You Had To Be Careful With" Review of a book on the life of 'sixties art dealer Rober Fraser by Harriet Vyner
From conceptualart.org
CRUSH: a response to CRASH Response to the recent UC Berkeley Symposium on Critical and Historical Issues in Net Art
From Salon
The Net as Canvas The Whitney has recognized Internet art, but will that make it any easier to buy, sell or even define?
From The Electrohippies
Client-side Distributed Denial-of-Service: Valid campaign tactic or terrorist act? A civil disobedience campaign on the Internet
(scroll down for other readings) |
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DEATHS Peter Pinchbeck, 69, Artist (9/10/00) Conrad Marca-Relli, 87, Artist (8/29/00) Jacob Lawrence, 82, Painter (6/9/00) George Segal, 75, Sculptor (6/9/00) Leonard Baskin, 77, Artist (6/3/00) Alfred Levitt, 105, Painter and Photographer (5/25/00) Gregory Gillespie, 62, Artist (4/26/00) Louisa Matthiasdottir, 83, Artist (2/26/00)
SITES TO CHECK WHEN THE MOOD STRIKES
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E-ZINES ETC.
WEBLOGS & DIRECTORIES
BOOK REVIEWS
BOOK EXCERPTS
The Electronic Disturbance
The Reconfigured Eye:
Visual Truth in the Post-Photographic Era
Interface Culture: How New Technology Transforms the Way We Create and Communicate
Close to the Machine: Technophilia and its Discontents
E-ZINES ETC.
CIRCA
The Art Newspaper
NOMADS
Exquisite Corpse
McSweeneys
Grand Street
Mindjack
Parkett
BLUR
DITHERATI
Zoetrope: All-Story
Lingua Franca
23:59
Stunned ArtZine
Arts & Letters Daily
Technology Review
Spike
Crash Media
NETFUTURE
Art Orbit
JOHO
Artbyte Online
SMUG
New York Review of Books
First Monday
G21 World Wide
Telepolis
Rewired
Addicted to Noise
Critical Review
Edge
NTKnow
S.CR.A.M
T:vc
Art Nexus
The Post-Dogmatist Quarterly
Variant
MEME
National Enquirer
Switch
Fortean Times
Exposure Art Magazine
Rediff on the Net
Pericles
Entropy Gradient Reversals
Bad Subjects
ArtBrief
Tr@verses
Arts Wire CURRENT
Leonardo On-Line
Leonardo Electronic Almanac
Chalkboard Forums
Intelligent Agent
Thing Reviews
Rhizome
Metamute
BOMB
Red Rock Eater
Why Not Sneeze?
2600 Magazine
CTHEORY
Postmodern Culture
Ellipsis Publishing
Fluxus Mail Archive
HypertextNOW
Art Daily |
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OTHER READINGS
From Salon
The North American Intellectual Tradition To hell with European philosophers.
From Telepolis
How the Etoy Campaign Was Won Report from agent.nasdaq.
From Salon
Burrough's Last Tape The final journals of William S. Burroughs.
From Mediachannel
Voice in the Neon Wilderness Interview with the editor of The Baffler on media control.
From Pittsburg Post-Gazette
Maintaining Global Art Carnegie Mellon staff plays doctor to International artworks
From FEED
The Trigger Principle Is violence built-in to VR technology?
From Nettime
Interview with Steve Dietz The Director of New Media Initiatives at the Walker Art Center talks about net art.
From Slashdot
Open Source as an Ant Farm Code as art and much more. Be sure to read the responses to see how ingrained in popular discourse on art "Piss Christ" has become.
From Atlantic Unbound
Alternate Realities Review of new books by William Mitchell and Douglas Rushkoff plus interviews with the authors.
From FEED
Code Breaker A short interview with Lawrence Lessig about Internet code and law.
From ASAP Forbes
Digibabble, Fairy Dust, Human Anthill Wolfe on Teilhard de Chardin, Marshall McLuhan and Edward O. Wilson
From The Atlantic Monthly
Phony Science Wars Review of "The Social Construction of What?," by Ian Hacking.
From OS News
The Squeak Evolution Squeak is a highly portable, multi-platform, object orientated, freely distributed, and open-source programming environment.
From The New York Review of Books
Goodbye to All That Review of "Farewell to an Idea: Episodes from a History of Modernism" by T.J. Clark.
From Feed
The Pleasure of Difference A dialogue on art and critical practice.
From The Atlantic Monthly:
Beyond the Information Revolution The future of e-commerce and the knowledge worker.
From Fluxlist:
Art Markets and the Economy Post to the Fluxus mailinglist.
From The London Review of Books:
What Might Have Happened Upstairs Review of "Pompeii: Public and Private Life" by Paul Zanker.
From Harvard Magazine:
The Stirring of Sleeping Beauty Aesthetics makes a comeback in art.
From The Nation:
The Bride & the Bottle Rack A review of "Duchamp in Context" by Linda Dalrymple Henderson.
From First Monday:
Anarchism Triumpant: Free Software and the Death of Copyright Free software and the the withering away of the intellectual property system.
From Atlantic Unbound:
Landscape Artist A conversation with Witold Rybczynski.
From FEED:
TV Nationalism The Nazis didn't understand TV.
From Cybertimes:
An Attack on the Commercialization of Web Art Report from the net art marketplace.
From The Village Voice:
Creating a Space for Net Art Net Art New York
From The New York Review of Books:
The Power of the Electronic Herd A review of The Lexus and the Olive Tree by Thomas L. Friedman
From The New York Review of Books:
Museums: Making it New A review of "Towards a New Museum" by Victoria Newhouse
From Switch:
Art and the Age of the Digital The Director of the San Francisco Museum of Modern Art considers net.art.
From The London Review of Books:
You May! Everyone's favorite Slovenian on the post-modern superego.
From Atlantic Unbound:
Balkan Epic Excerpts from her 1941 book on "the Powderkeg of Europe."
From Civilization:
Nice Work If You Can Get It The difficulty of surviving as an artist in New York today.
From Aleph:
New Media Art: New Forms of Production Dissemination and Reception
of Art Disciplines Transcripts from the panel and discussion area.
From The Nation:
Degas in Las Vegas The real thing in simulation city.
From The New Statesman:
An Amusement Arcade Masquerading as a Museum New Zealand's new national museum, Te Papa.
From The New York Review of Books:
Passion Play The legend of Crazy Horse and the reliability of information.
From American Demographics:
Making Up America Why storytelling is still important
From Wired News:
Athletes in the Cyber Swim On-line swim meet.
From FEED:
Christine Vachon
The "godmother" of independent films talks.
From Telepolis:
Culture and the 'electronic challenge' Report on the EU-conference "Cultural Competence", which took place at the beginning of October in Linz, Austria.
From Wired News:
The Trouble with Net Art A report on the "Net, Art and the Public: Mediation Strategies of Net Art" symposium in Berlin.
From Jacket Magazine, via nettime:
I'd Like to Have Permission to be Post-Modern, Essay about how copyright laws can hamper creativity.
From The Atlantic Monthly:
Manifest Destiny The author of "An Empire Wilderness" talks about the future of the U.S.
From nettime:
Hackers are Artists -- And Some Artists are Hackers Sollfrank talks about her net.art intervention, "Female Extension." More on the project: in the nettime archives
From The Nation:
Art Into Life: Rodchenko A portrait of the artist as an advertising man.
From ArchiMuse:
Curating (on) the Web
Written for the "Museums and the Web" conference in Toronto, April 1998.
From RAND:
In Athena's Camp Preparing for Conflict in the Information Age
From The Atlantic Monthly:
Who Will Own Your Next Good Idea? Who will own culture in the Information Age? A Roundtable discussion with the author.
From The Atlantic Monthly:
The Invisible World Order If digital technology is to serve humanity (and not the other way around), we'll have to come to terms with the database and all that it implies.
From the American Music Center:
Steve Reich Interview Reich talks about his career, new works, the role of the orchestra in todays art world, technology in music, and offers advice to young composers.
From The New Republic:
Seeing and Time About not looking at art.
From Telepolis:
What is the Price of Art in Cyberspace The economics of art on the Web.
From The Industry Standard:
Fear and Loathing on the Web RageBoy explains why being offensive is good business.
From CyberTimes:
Guggenheim to Add Digital Art to Its Collection The Guggenheim Museum launches a $1 million program to commission, acquire and display works of digital art.
From Telepolis:
Dj Spooky: It's all Jazz An Interview on Sound and Media Literacy
From The New York Review of Books:
The Politics of Jacques Derrida The history of French philosophy in the three decades following the Second World War.
From gURL: Gert, Alice, Pabs, Paris...need we say more.
From FEED: A dialog on spirituality and technology with Mitch Kapor, Jennifer Cobb, Erik Davis and Lama Surya Das.
The Cathedral and the Bazaar
How and why the Linux development model works. This paper influenced Netscape's decision to release Communicator 5.0 in source.
From The Atlantic Monthly:
The Next Left
A conversation with philosopher Richard Rorty about the future of political liberalism in the U.S.
From The NY Review of Books:
Varieties of Madness
A review of the Unibomber Manifesto.
From The Washington Post:
The Emerging Art Click
The future of art and the net.
From ReWired:
The English Ideology and WIRED Magazine Are the British behind the "California Ideology" after all?
From Telepolis:
The Attention Economy Will Change Everything Interview with Michael H. Goldhaber about the basic features and problems of this new economy.
From FEED: FEED's document on Ted Nelson's Literary Machines with Robert Coover, Mark Amerika and Janet Murray.
From The Guggenheim Museum: Speaking Digital: Media, Theory, and Practice Public dialogue with Siegfried Zielinski, N. Katherine Hayles and Perry Hoberman.
The Californian Ideology
An emerging global orthodoxy concerning the relation between technology and society
The Californian Demonology
A response to Barbrook and Cameron posted on Nettime.
From Addicted to Noise:
Junk Collage, Nodal Points & Cognitive Dissonance
Author William Gibson takes the pulse of the late Twentieth Century.
From The New York Times:
OUTLOOK FOR 1998: BETTER ONLINE ART AND MORE OF IT Some artists to watch for in the coming year.
Via Nettime:
THE OBELISK
From T:vc (via nettime):
I WAS THERE: TALKING WITH MICHEL SERRES AND GREGORY ULMER Two interviews spliced together covering TV and the future of literacy.
From Art Nexus:
THE SIXTH HAVANA BIENNIAL Weiss contextualizes the past and present Biennials within the socioeconomic and historical circumstance of Cuba.
Readings ARCHIVE
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<i> i o l a </i>
(Redactor: Murph the Surf)
This site is dedicated to my Aunt Iola Rheinbold.
Her mission in life was to tell people what to do.
